Thursday, November 26, 2009

La Donna Mascherata
















This image has been posted all around Milan for the past weeks to promote M.I.N.T., an international show dedicated to both modern art and antiquities. Thus the metaphor of the older woman with the mask of the younger woman's face.

Never mind the fact that its purpose was clearly spelled out; it might as well have read: "Charlotte Moore. This is (for) you." Because every time I saw it—and I saw it everywhere—I felt like I was looking at a public unveiling of my own current psychological make-up. It perfectly illustrates the way I see myself, except that at times, the face and the mask are in reverse relationship.

It's like this: some days, I'm young inside (so young, so ten-years-old, so willing to dance naked, high kick, act silly just because it'll feel good) yet the face that I see in mirrors betrays me. Other days, my face has the miraculously youthful glow of a time traveler in reverse, but my heart and mind feel the weight of years. Things are hard in this "sandwich" time of life; truths come a-knocking that we were—once upon a time—mirthfully oblivious to. I don't think I'm old; I'm not. But I am getting older, and it's a bizarrely complicated dance. Things aren't in sync. The face says one thing. The mind behind it says something else. And then they get all tricky and trade places. Things aren't linear and orderly; they are liquid and inconsistent, and as Janet once wrote in her greatest (in my opinion) unproduced script of all time, messy. Life is messy.

I don't even know how to get dressed in the morning sometimes, because I don't know what me I'm going to be that day. What will I project? Anything? What will I try to convince the world? Will I be able to pull it off? What will be comfortable? What do I really feel like having against my ever more ornery skin? Who, exactly, am I these days?

When Janet and I were preparing to write RIPE, we conducted some informal research among our friends and I remember very clearly one of the respondents saying that she felt that people judged her based on her appearance and that it was horrifically unfair, because inside—inside—she was someone else. I know what she meant. At a certain stage in my life, I too was probably guilty of looking at older women and either making assumptions about them or sort of erasing them from my field of vision. I didn't dislike them or find them bothersome, I just wasn't interested. Now I study them all every chance I get, trying to find where the mask starts and stops, and who the woman really is. And I've noticed that these very same women look at me, and there is in their eyes a kindness I never would have expected. A complicity. They know about the mask-thing too. And they know about the layers, and about the difficulty of really being seen for who you are.

The M.I.N.T. show ended yesterday. But the streets are still full of masked women. It's just that now we are not in photographs. We are just our selves populating this city that sometimes sees us, but most often does not.

Monday, November 23, 2009

The Other Other


There are about nine books waiting for me in the living room. And two or three more shoved back behind the couch in the TV room, either because I think I'm hurting their feelings by ignoring them or looking at them reminds me what an idiot I am for doing that ignoring. It's hard to say. Our friend Jody owns one of the best bookstores (CLoud & Leaf, Manzanita, Oregon) in the country; seriously, the most perfect little enclave filled with the most beautiful books you never knew existed or had forgotten about when your brain stopped storing the good stuff and got filled with the banal, the sticky, the flagrantly ordinary, the blah. For the last few months I've barely been able to read more than ten or twelve pages at a time in a book I'm dying to read. So there's been poetry. Short (short) stories. The New Yorker, thank god. Ruth Reichl's last will and testament—kidding, sort of. But my books...they wait and wait. What's wrong with me? What's with the concentration lag? One of my favorite writers in the world is Colum McCann. And he just won the National Book Award for Fiction 2009 for his new novel (residing behind my couch) Let the Great World Spin. Readers, get it. He's a beautiful, gifted, extraordinary writer and the first Irish-born winner of the NBA. Here's his quote about the stories we read:

'Vladimir Nabokov once said that the purpose of storytelling is "to portray ordinary objects as they will be reflected in the kindly mirrors of future times; to find in the objects around us the fragrant tenderness that only posterity will discern and appreciate in far-off times when every trifle of our plain everyday life will become exquisite and festive in its own right." This is the function of books—we learn how to live even if we weren't there. Fiction gives us access to a very real history. Stories are the best democracy we have. We are allowed to become the other we never dreamed we could be.'

We become the other, as Charlotte said once about traveling. The one we never dreamed we could be. Beautiful. - Janet

Wednesday, November 11, 2009

The Year After Year of Magical Thinking


Maybe we are the stories we tell.

The ones passed down and left behind, the sayings we repeat without realizing we heard them on a daily basis (Be careful! My land! Hogs and kisses. Hello baby girl). We’re those small maybe enormous truths our parents and grandparents left to us in every story or joke or recipe. Like the little truth that when I make cheesecake it's always my grandmother's cheesecake, the only cheesecake in our family, holiday after holiday my entire life. There may be better cheesecakes out there (I sincerely doubt it, I've won bake-offs with this baby) but who cares: this is ingrained, it's family, it's personal, that's it. We're all of us wrapped up in our emotional DNA, born into our families or adopted, doesn't matter.

We’re the box with our mother’s wedding dress still in it, the one we opened up breathlessly when we first discovered it in the closet. We’re the photo where the bride and groom feed each other wedding cake. The lessons of the plums or the garden. The embroidery on the Christmas table runner set out just so every December, the menorah given from father to only daughter, the mementos that represent something almost lost to us but not quite, not yet. Every Thanksgiving a small part of my parents arrive at the table along with everyone else, even though physically they can’t be here. I hear my father’s voice whenever we pour wine, feel my mother whenever I make sweet potatoes, listen to conversations in my head that haven’t existed in a while, repeat, replay, pause. I’m the stories they gave me, their morality and their lessons, their gift for gab, their music, their laughter or swearing, their silences, too.

But we’re all another set of stories as well, and I’ve been thinking about this a lot lately.

We’re the magical thinking we tell ourselves. We’re the parts that aren’t rational at all, the superstitions, the fallacies we like to pretend are real.

We say there’s a reason for everything. That things will get better, they just have to. That if you believe it, hope for it, pray for it, it – whatever it is - will come true. We tell our single friends that love is just around the corner, and if they give up looking then Voila, there it will be. That good will triumph over bad, why wouldn't it, of course it will. We pour salt and stay away from ladders, we speak to stars and blow out candles, we hope and believe and believe and hope again because, honestly, some spark may touch coincidence and ignite. The raw truth that our friends have been around 13,146 corners in the last few years doesn’t matter; it just hasn’t been the right corner. Or the right time. Or they haven’t believed quite deeply enough. Count to three. Don't step on a crack. Hold your breath. Believe.

And it’s all, isn’t it, magic? Of course it is.

An invisible face in the sky or some enormous and all-presiding benevolent being looking down at us, protecting us; incantation, recitation, a magic word, a lottery number, blue sky, glass slippers, the world making sense, life giving never taking. Some people think they can't exist without magic. Some wouldn't have it any other way, take huge comfort, but I don't. I do it when I do it almost automatically, the way human beings have done it for thousands of years. And I know better. Yet there it goes, foxhole or not, and I wish I didn't. Or I wish it changed things. Or I wished...whatever. There it goes, that wishing thing again.

We want fiction in our real lives; we want reality TV instead of reality life. But why? Why is real life, our own, the ones lived by us and passed down to us, not good enough? They have enough magic in them already, don't they? At least isn't it pretty to think so? -- Janet

Tuesday, November 10, 2009

Va Va Va Voom


Joan and Peggy.
I love them both. You can take Betty Draper and leave her in Reno till 1982 for all I care. But Joan and Peggy, they're the heart of Mad Men. They're the depth that Betty, as hard and cold as unbreakable ice, wishes she could somehow conjure up.
When I look in the mirror or read my bio it's Peggy I see, no doubt about it. But what a sigh that leaves. It's Joanie who has my heart.
She's glorious.
She gets everything, everyone, without saying a word.
She's utterly brilliant and utterly overlooked because she's so brazenly and unapologetically Va-Va-Va-Voom, like Marilyn co-joined with Liz Taylor, and so what if it's 1963, nothing's changed. We still equate beauty with stupidity. We still grade on a vicious curve, your IQ dropping with every B, C, DD cup.
So it was a little sublime Sunday night, Mad Men finale, when Joan and Peggy got a bit of what they deserve.
Has the word 'No' as uttered by Peggy ever been so long in coming?
Has a refusal to acquiesce ever felt so morally assured?
And when Joan finally came striding into the room head high and heels on - has any entrance been so welcome? We all she was coming. We knew Sterling Cooper etc. etc. couldn't function without her. The difference is now she knew as well. She holds the power not in her hips but in her hands, her head.
What I love about these characters isn't that they're women, isn't that they work in a fictional ad agency, but that they're women as compelling, complex, and utterly individual as any man on TV. Two entities who haven't much in common besides gender, and besides this: they've both been taken for granted their entire lives, their entire careers. Not simply by the men who employ them and romance them, but by the women around them. Their families. Society. And most egregiously, by themselves. I laughed out loud when Joanie smashed that vase against her husband's head as if she were christening a ship. The SSS Good Doctor.
Sterling Cooper Draper Pryce. It's a start. But why not Olson + Holloway instead?

Sunday, November 08, 2009

Home Sweet...Home



We just got home. And when it isn't raining it looks like both these photos: the ones who missed us. The place we always miss.
So, as some people ask all the time, why go away at all?
We go away to get lost. To be anonymous on streets on beaches and in other people's lives. We go away, some of us who travel, to get out from under our own skin, our own expectations, the day to day and the week by week. We want to experience something we don't know is coming, and to be allowed to see it unashamed through open eyes. Taste something, smell it and walk through it and get and hear it, because it doesn't exist otherwise. No book, no photo, no friend's description or memory can really do it for you. I want to know what's out there. I want to know that things aren't how I thought or are terrible or gorgeous as long as they're true. And being there, I'm sorry, but it's the only way. Otherwise it's an illusionary world and a virtual one and who's not completely fed up with that?
Although, that's not always it. Is it?
We met some Canadians and Americans who traveled thousands of miles to end up comfortable and secluded and pampered: barely leaving their hotels, never saying 'hello' or 'please' in Spanish, eating at one winery and drinking at another and then returning to the spa they called home. I'm not putting them down; wait, yes I am. I'm putting them in a corner many of us just don't want to belong to. Why does anyone get on a plane to fly to a different country only to tell that country to get out of the way and leave them alone?
Why leave at all if you never venture out the door?
Chile and Argentina for three weeks. Not exactly what I had anticipated or dreamed of and for that, I'm grateful. It was beautiful, difficult, emotional, striking, enriching, intriguing, never dull, never complacent, varied and rich and breathtaking and sad and lovely in almost equal measure. We met some wonderful people. We saw some incredible, truly spectacular sites. We fed some sad and heartbreakingly lonely street dogs. We were almost annihilated by a car going 90 or so passing us on the left and almost killed a guy riding a bike the wrong way down a Santa Cruz street at night. We loved most of it. We hated some of it. As our friend Jesse said it wasn't a vacation it was just 'more life.' And then we come home because unfortunately we're only travelers, only visitors, in the simple sense of that word. We go for a little and come back again. Hopefully we don't leave too much ugliness or trash when we do; hopefully we learn something; hopefully somebody understood us, even just a little. We love to leave and we love to return. Elvis Costello said Home is anywhere you hang your head. We try to hang ours here, mostly. And raise it everywhere else as often as humanly possible.

Thursday, October 29, 2009

This morning.

I met a charming 85-year old woman this morning whose biking path intersected my own trajectory home. She stopped pedaling, called to me, gestured just under her left rib, and said, "Excuse me, ma'am, but your heart—it's not over here, is it?"

I assured her that it was not.

She said, "That's good, because I have a terrible pain here, and I'm not ready to go yet." She did not seem in any pain; I suggested it was a cramp.

She went on, "I need three or four more years."

I said, "At least!"

She corrected me quickly: "No! No! Not at least! Just three or four. I have some things I need to get done. Three would be perfect; four might be too many. I have a dental bridge that's driving me nuts. No, no, four is too many. I considered making a deal with the devil, but he was unavailable. Too busy making people tell lies. Am I right? or does everyone tell lies nowadays? Lies, lies, lies. I put 1500 euros in the bank last year, and when I wanted to take it out this year, they made me pay them 5 euros to have it. That's a sort of lie, is it not? Can you believe it? Paying to have your own money!"

I told her she inspired me. It sounded a little lame, but I really meant it.

"Inspired? What does that mean?" I thought maybe I'd used the wrong word in Italian.

"No, no. It's the right word. I know what you mean...you mean, that I've given you the strength to go on, sort of. But don't let it be so. Listen, it's very simple. Just keep working. Works keep you alive, am I right? If you don't work, you sit on a bench and die. No, no. Work, work. Well, I must be off...just three more years, that's all I need..." and with that, this beautiful woman jumped on her bike and rode off.

Sunday, October 25, 2009

Here's to the Other.

I've been thinking about Janet a lot lately. She's in South America. As I write, I'm not sure where. Maybe Argentina. Maybe Uruguay. I'm wondering what the weather's like and what she's seeing and how she's probably doing her gracious best to make herself understood in Spanish. Janet's like that. She's most definitely not the kind of American tourist to shout more loudly and slowly in English in the certainty that eventually that foreigner (in whose country she's standing) will understand.

Every year, maybe once, maybe twice, Rick and Janet go some place far away. They venture away from the comfort and sameness of home to seek out something different. Because they want to. Because ironically, it feels good. I think Janet would feel less comfortable, in fact, if they didn't do it. Because she knows, we all know, that despite what we think and tend to feel: it is different out there. Really different. And if you take any one of us and plop us down — voilĂ ! — in a different cultural and geopolitical context, it is we who are different. In the bat of an eye, the crossing of a border, the uncomfortable minute stationed in front of the airport immigration officer, we become that frightening thing—the other.

I've lived in Italy for 11 years now (a number I can hardly believe, and which is certain to grow), and even as I become more integrated into the life here, I feel increasingly "other." I'm not sure why this is. I think it has to do with the surprising and undeniable depth of our cultural roots and also with the fact that human "time" is different than we think it is. We tend to talk about time flying, and yet in human, psychological terms, time can move quite slowly indeed. My eleven years in a foreign country are nothing. They're just the beginning of going deeper into this particular experiment. And, as time passes, I have that much more time to realize how different I really am.

The result is that I feel "at home" often with other people who are "different" too. I have something very important in common with our part-time Philippine house-keeper/nanny that I do not have in common with my own Italian husband. In this context, we are both foreigners. Her name is Pamela, and we love her, and she has most definitely lived through hardships that have never brushed up against my comparatively serene existence. But we both know what it's like to be the other in this intensely Milanese context. She knows distance. She knows separation. She knows having difficulty being understood. She knows bureaucratic battle. She knows being outside instead of inside.

But you don't have to be on a trip or living in a foreign country to feel or be other.

I was born in the American South to parents who, because of a specific mixture of education, nature and nurture, were disdainful of it. We lived there, but there was always a feeling that there was something not quite right about it. The result? I felt "other" in my hometown, my high school, most everywhere. But it wasn't a bad feeling. It was a feeling of strength and security. I liked it.

And the truth is this. Even if you never go anywhere, there are times in your life when you are outside the inner circle. You are the "other." In relationships, the other person is, by definition, the other. A man is other to a woman. A lesbian lover is other to the woman she calls partner. An employee is other than his boss. Sometimes just acknowledging this otherness helps ease tension. You can't change it, maybe you shouldn't, so what you can do is observe it and reflect on it, and understand that you are just as "other" as anyone else. Always fitting in, always being like everyone else—well, that would be downright debilitating, I would think. The fear of crossing a line, not being accepted, not seeing yourself reflected everywhere would be stifling. Stepping outside the accepted definition of yourself is a bracing experience, and in our lives, despite our geographical locations, we have to do it to survive and thrive.

I'm not always perfectly comfortable, and my life is by no means free of frustration. But I feel comfortable being the different one. And to tell you the truth, I feel lucky to wear this mantle.

I wouldn't have it any other way.



Friday, October 23, 2009

Incredibly good advice

Child home with Swine Flu. DVD helping to take mind off symptoms. Time to pull out all the good old movies. Passing through her room, I caught this:

Mrs. Incredible: (Lots of whining about her marriage, etc.) What do I do? What do I do?(Sobbing into her kleenex.)

EDNA: WHAT ARE YOU TALKING ABOUT?

Mrs. Incredible: Hmmm?

EDNA: YOU ARE ELASTIGIRL! MY GOD! PULL YOURSELF TOGETHER! (Hitting Mrs. Incredible over the head with rolled up papers.) WHAT WILL YOU DO? IS THIS A QUESTION? YOU WILL SHOW HIM THAT YOU REMEMBER THAT HE IS MR. INCREDIBLE AND YOU WILL REMIND HIM WHO YOU ARE. YOU KNOW WHERE HE IS. GO. CONFRONT THE PROBLEM. FIGHT! WIN! AND CALL ME WHEN YOU GET BACK DARLING. I ENJOY YOUR VISITS.

I think Edna Mode is my hero. I wish she'd ended up in our Pedestal Chapter in the book. So deserving. Wanna see it?

Wednesday, October 14, 2009

Brook Land Is Mine



So right now we're running around throwing clothes into suitcases, getting on conference calls, watching the world wide web be not so worldly or wide out here on the stormy Oregon coast, trying to get out of here and get to South America for a few weeks of Spring. And yet what keeps hitting the back of my mind like an insistent lover is...Brooklyn. In the last few months friends and strangers and coffee baristas have brought up that bucolic borough again and again. In fact someone who reads this blog - that's right reader, we may be up to a grand total of 25, and not all friends and relatives! - wrote from out of the blue, the prettiest email, the sweetest words, all from that distant land called Brooklyn. And it threw me back to last year, when we were back with Fincher shooting the Stand Up To Cancer work, and Rick and I ran over to Brooklyn for a breakfast that turned into lunch and then some because we just couldn't bare to leave. Someone we used to know at Wieden said that Brooklyn's like Portland, but that just proves he's been gone too fucking long. It's nothing like at all. It can't be copied or counterfeited. It can't be recreated out here in our new Western lands because there's something so inherent and in-grown and deep rooted there. We just don't have that. We have other marvelous and inescapable things but not that.
And while we were there we went to The Five Leaves (go there, now!) and sat at the counter and had the best freaking cup of coffee, okay, four (hello Carlos!) with beans that actually were roasted in Eugene, Oregon, a few hours from what we natives fondly do call Stumptown. Carlos was lovely and kind and irrepressible. The homemade ricotta with honey was delirious and moreish. Everyone told us to go down to Spoonbill & Sugartown for books and we did and of course Rick had to bodily drag me from the place, banshee-like, but not before the owners had exhausted themselves looking for the newest Paris Review and not before they had won my bookish heart forever. I want to go to there again. I want to go to there now. But first, we'll go to Buenos Aires and meet up with my great vagabond-poet nephew and spend three glorious weeks on the south side of the globe. As usual, Charlotte will write superior blogs with beautiful illustrations and extraordinary thoughts and I'll be drunk somewhere, trying to make a point I deeply, albeit slurringly, believe in. Let's end with W. Whitman of course:
What is it, then, between us?
What is the count of the scores or hundreds of years between us?

Whatever it is, it avails not - distance avails not, and place avails not.

- Janet

Sunday, October 11, 2009

So much is possible, isn't it?


I saw this picture in the New York Times. Maybe you did too. If you didn't: The baby I've circled is Michelle Obama in the arms of her mother. If I'd been looking at a paper edition of the Times, I'd have clipped it out. But I did the digital equivalent by dragging it to my computer desktop, because I want to keep it forever, tuck it in my wallet, and pull it out when I pull out pictures of my children. It is such a complete image of all that is possible in this strange, unpredictable, often seemingly cruel world. And a hopeful thing to put next to the pocket-sized images of one's own offspring. Not that they'll be famous or powerful. It's not that which I wish for them. But that maybe they'll grow into a world where things they don't imagine can be true, really can be.

Thursday, October 08, 2009

Choice 201

After my last post, everyone who commented was kind enough and quick to say that I didn't need to qualify what I was saying, that I didn't need to explain that I was talking about choice v. that stuff that destiny serves up. Everyone was generous and knew what I meant, and to all of them I say "thank you."

But as often happens with blogging, I hadn't really been thorough in either my original post or my comment. And, as some days have passed, I've realized why it bothered me so much not to have been more specific the first time around.

The distinction between what luck or destiny serve up and what we choose is critical and central to the discussion, precisely because choice, by definition, is the opposite of that which is out of our hands. You choose to take or deny a job. You don't choose cancer. And those of us who have lots of choice in life have been given a very fortunate hand, indeed. And for all that choice, all that flexibility, all that opportunity to say "yes" to this or "no" to that, we ought to be damn (double-damn) grateful. Not whiny. Not full of regret. Not negative about our lives and why they aren't like so-and-so's "greener" life on the other side of the fence. We ought to be celebrating every aspect of those choices, cognizant of the fact that we were lucky to be able to make them in the first place.

In other words, every choice we make is a celebration of the freedom to choose. And the ripple-effects of those choices are a reminder. -Charlotte

Wednesday, October 07, 2009

Pro-Choice.

Fill in the blanks:

I chose __________________.

I have chosen to _______________________.

I choose to _______________________.

---

I was walking down the road the other day feeling kind of grumpy about having to pick up more groceries, cook more dinner, whatever it was. You know the feeling. Like you wish you were living in a parallel universe without the constant T0-Do list. And all of a sudden it hit my like a bolt of lightening: I chose this life. I chose the man, the place, the children, the work (and often lack thereof). I chose the precise mix of mess and beauty, urban insanity and country calm. Luck played a huge part in much of what I have, yes, but most of what I am inclined to grumble about is precisely what I wanted. And what I want.

And right then and there I felt joyous. Yes, joyous, as if bliss had been beamed down by the sun. Realizing that I had chosen what I was experiencing, right then, allowed me to stop resenting it and to be thankful for it. Thankful for the arm-ache that accompanies carrying your groceries home. Thankful for the chance to cook another meal for my family. Thankful for the flexible mix of unemployment and employment that I enjoy. Thankful for the bills to pay, the messes to observe before whisking away, the warm bodies to kiss before going to sleep. Thankful for the chaos and the conflict and the craziness.

Seems to me we (women, mostly) have a tendency to waste a lot of time whining about stuff that—if we were honest—is the direct or secondary result of a choice we've made. And we criticize the choices that others of us make, while we're secretly resenting our own. In a way, it's just a really mentally unhealthy sort of immaturity. We seem to forget the role that our choices play in our day-to-day realities.

And then I thought about our rather limited usage of the phrase "pro-choice." And how we all ought to live our lives in a truly pro-choice fashion. Accepting our own choices. Investing in the rightness of them, or consciously (and conscientiously) choosing otherwise if they were in error. And respecting without endless and acid discussion the right of other women to choose something for themselves that is different from what we've chosen.

Whatever. Maybe this is too simplistic. But accepting my own choices changed the color of my mood from something tending toward gray to something tending toward a lovely bright shade of greeny yellow. And I realized that I'd do well to repeat the same exercise a little more often.

I choose to remember what I have chosen.




Monday, October 05, 2009

Hear that? It's my kitchen, weeping


The end of Gourmet Magazine. The end of Gourmet Magazine? To save Bon Appetit? Because people refuse to eat anymore, they simply assemble? Oh god. My knives just wrapped their little blades around each other and prayed. Gourmet is the New Yorker of food. It's a bible. It's food porn and literature both. And it has Ruth Reichl! It's so gorgeously written, stunningly photographed, it's brilliant and beautiful so of course they're going to let it go. A long time ago, 15, 16 years, I told Chris Shipman I didn't read it because it looked so snotty. And he replied 'It's not snotty, it's perfection.' Rest in peace, perfection. Oh great: now my pans are all making a break for the door. The sponges have thrown themselves off the sink. Somewhere, Julia Child is very, very sad.
- Janet

Saturday, September 26, 2009

Eat, Friendship, Pray


Here’s Charlotte, Donna, Luca and I in Milan a few years ago. Four girls to a camera. We’re not drunk, we’re happy. Intoxicated maybe just by finally being together in Charlotte’s house for the very first time. And we haven’t been together again since. Miles separate us - time separates us, too, work and life, all the necessary evils – and it just makes me ache a little bit. All the phone calls and email and twittering (not really, not ever) can’t quite close the gap of not having the ones you need in front of you. And today I finally realized something obvious: friendships are marriages.

The good ones, anyway.

The compromise. The forgiveness. The expectations and the letting go of them. The necessary sharing of each other with the outside world. The wishing you could crawl inside someone’s head, see out, Malkovichian-like, from their eyes. Ending each other's sentences. Getting the joke. Not telling the room you've heard the joke ten thousand times before. The temporary insanity that comes when you feel you’re not understood, appreciated, beloved. Respecting boundaries (friends have boundaries? Get out.) Believing each other when one of us says No, honestly, it doesn’t make your ass look any bigger than usual. Having some sort of mutual respect that doesn't deflate as time goes by. Amy Bloom said 'Love at first sight is easy to understand; it's when two people have been looking at each other for a lifetime that it becomes a miracle.' And that's true of friendship, too.

Because once you know most of the ins and outs of someone, once you know their buttons and insecurities, their needs and their demons, you have to be very careful not to abuse them. Once you know you’re in – you’re important, you’re unique – you have to try to balance your own self with theirs. Some of my greatest friends have been there for 45, 35, 25, 10 years. Others for merely a year and yet we’re just as close. In turn we’ve all been so wonderful with each other. And so bitchy. Needy. Gentle. Voracious. Caustic. We’ve dropped everything to take a plane for a birthday or funeral. We’ve given money. We’ve taken it. We’ve lost each other. We’ve given in and given up and walked out of rooms and slammed doors and come back, apologized. We’ve been very very good. And just utterly terrible.

And now I think I put up walls not to keep someone out, but to see who cares enough to knock them down.

Like marriage some of these will end in divorce. Some will just run their course. Some will last forever, the nursing home, the reading of the will, the porch and the rocking chair. Some prove quite constantly that love is, thank god, truly blind. Is it rare to love so many people you don’t see every day, every month, even every five years? Is it normal? A few weeks ago a good friend told me I have the widest group of friends she’s ever seen, the most diverse. I don’t know if that’s true. But I do know how fortunate, crazy-lucky really, it is to have so many strong loud kind generous life-supplying unafraid-to-be-bitchy unafraid to wrap their arms around me and hold on tight friends, male and female both. How fortunate to know at the end of the phone are a few people who will pick up, be there, not fade away, not judge, shut up, listen. My best friend? My husband, by leaps and bounds, far and away. Charlotte and I have that in common, too. But all these other marriages are sweet as well. Polygamy, you're so hard to resist.

-- Janet

Sunday, September 20, 2009

Louise Bourgeois.

"It is very difficult to be a woman and to be likeable. This desire to be likeable, it is really a pain in the neck. How are you going to be likeable and be yourself?"

These words come from the mouth of the artist herself in Louise Bourgeois: The Spider, the Mistress, and the Tangerine. It was impossible not to stop and wonder at the truth of them.

—Charlotte

Friday, September 11, 2009

Remember the plums: A tale of Alzheimer's


I've just gotten back from summer in France. It was beautiful as always, and poignant in many ways. But the thing, I'm afraid I'll remember the most is the story about my mother-in-law (N.) and the plums.

Last year, we purchased a tiny strip of property next to our little house that contains a single plum tree. The French call these particular plums—small, yellow and tinged with violet—"Mirabelles." Who knows how long that tree has actually been there, but N. insists that it grew during the war, and that she used to benefit from the rare plums that would fall on the house-side of the wall.

As soon as they ripened this summer she was obsessed with them. I think because she has such strong memories of being in Accolay during that dreadful war, of eating whatever presented itself (it seems they gathered and ate dandelions in great quantities) and possibly often going without, she felt the need to not waste one single piece of fruit from that tree!

At any rate, she couldn't remember, ever, that we owned the property. So rather than picking the good fruit from the tree, she would only gather it from the ground. Good, very good, half rotten. Whatever the condition she would eat it. And she ate them all day, preached their benefits, carried bowls full of them into the kitchen—sometimes several times a day, forgetting that she'd already brought some. There was frequently a little cloud of fruit flies in the kitchen, which drove me nuts, or the slightly vinegary smell of semi-macerated fruit.

And every day it would start again. More plums. More insistence that we should all eat them. And always the heartbreaking invective: We can't let them go to waste! We have to eat them! (I ate about 10 one day that I picked from the tree—they are small and easy to pop into your mouth—and they gave me a very bloaty feeling, and a good bit of gas. So the girls and I ate the few we wanted, but refrained after that.) But N. continued to eat and eat, and fart and fart. She farted for days, sometimes having to run to the bathroom. After about ten days, she decided to make jam, insisting as always, that the fruit couldn't be wasted. I told her that no one in our family really eats much jam, and that they'd truly be wasted if she did that. I explained that it was better to leave them on the ground, let nature take its course, where nothing is wasted, just composted. But she would have none of that. If they weren't eaten—by us—they were wasted.

I hoped she'd forget her obsession, but she didn't, and one day, just to put it to rest, because by this time there were various bowls of Mirabelles lying in the kitchen with their little buzzing clouds, I said, "N., why don't you make the jam today. I need to get you some sugar, but I'll go this morning, and when I get back you can make the jam." So, I got the children up, dressed, made the beds etc., slowly working up steam for the trip to the grocery store, and before I knew it, there was the smell of cooking fruit in the house. She'd gone ahead and made the jam using confectioner's sugar instead of normal (it was horribly sweet), and forgetting to include an enormous vat of plums she'd left outside. When I pointed this last bit out to her, she shrugged her shoulders, and made another enormous batch without sugar and mixed it with the first. All this, she put into jars she found in the garage, which were in no way sterile and which did not have proper lids for conserving. Those jars still sit in the kitchen in Accolay, because no sooner had she made it, then she forgot and started collecting them from the ground again.

That afternoon, too late, because we needed it anyway, I got sugar. When she saw me unloading it from the bag, she said, "Oh, we should make jam." I told her she already had. She stared at me blankly.

Two days before leaving she was still madly collecting plums, and this continued on up to our departure. She insisted on taking them back to Milan, so she stored them in a discarded 6-bottle wine carton. Overflowing, the carton had to be put inside a large plastic bag, before being the last thing loaded into the car. Even as we packed the car, she was putting plums into her purse for the trip and insisting that my Roberto, my husband, lock the gate so that none of our neighbors take any. (This, I found very odd from someone who didn't want to waste. I would have put a sign on the garden wall that said, on the contrary, "Please come in and help yourself to plums.")

Roberto and the girls piled in with N. and her plums, balanced on top of an enormous load. And I followed in the smaller car.

When we got back to Milan, and began unpacking, Roberto took the girls and N. up to open our respective apartments, and the doorman and I stayed down to take the bags out. We cracked open the back of the car, the plums came cascading out of the car out onto the dirty, dirty floor of the garage. It was comical. The car was so overstuffed, and things had shifted in the journey, so that when it was all over, both shoes and plums were dropping out of the car. We did our best to put it back into order, and within a half hour or so, I was carting the plums up to N.'s apartment. I proudly plopped them down on her kitchen table, and said, "Here! Here are your plums!" And she just looked at them and said, "What are those?" I explained, adding that since they'd all fallen in the garage, she'd need to rinse them really well before eating them. She nodded, but I know that her instinct to eat them "as is" is too strong; she won't remember.

Two hours later, she was back at our house with plums in hand and mouth. "I've brought you some plums," she said. "I just gathered them in fresh in Accolay. And since you all weren't there, I thought you might like some."

And there it was. Recent history entirely re-written. She somehow, now, remembered gathering the plums, but had erased our very constant and patient presence from the entire summer. It's probably the way she would have wanted it. Herself. Her childhood. The miraculously abundant fruit on the other side of the wall. The threat of the German soldiers occupying the grandest houses of the little town. The steady hand of her grandmother. And a world, though tragic, that made sense to a child and that she remembered from one minute to the next. And we, well—not even born yet.

Or maybe it was just the lure of that perfect, simple goodness—the impossible to resist:

I have eaten
the plums 
that were in 
the icebox  

and which 
you were probably 
saving 
for breakfast  

Forgive me 
they were delicious 
so sweet 
and so cold
—William Carlos Williams

No forgiveness necessary. What is is. What was was. We're all in this together. —Charlotte



Monday, August 24, 2009

Awesome, Dude


Henry likes guitars.
Electric guitars, acoustic guitars, famous guitars, whatever has the word 'guitar' in it. Henry likes fat ripe loud raucous rock music. 70's bands. 60's bands. He knows songs from before he was born, stuff I don't even know and didn't know then. Henry likes NYC, Manhattan anyway. He likes the way it looks and feels and smells, the commotion and ubiquity and endless thereness of both cement and humanity. He the likes the crowds on the street and how alive it is day or night, how it etches itself into your skin and your brain and becomes part of you, how you're never alone there, even when you are. Henry likes sea creatures, rocks, sticks, saltwater, water, period, when it's not too cold and it's not too hot, wild things, Henry Potter books, Henry Potter films, anything apparently by Michael Bay (this, I'm waiting for him to be 15 and get over the guy) cultishly great Korean films, vampires (who doesn't), Arrested Development, The Flight of the Conchords (again, yes, what great taste he has), saying Dude and saying it repeatedly, poetry, a good campfire, fishing, sushi, great jokes, cilantro, the Pacific and Atlantic Oceans, the color 'black'. Henry makes mean guacamole, dude. Henry wrote a poem for the Oregon Student Poetry Contest that received Honorable Mention (and deserved more, dude) that goes like this:

I can't forget the fish
the one that got away
the pig of a fish
the fish that took my flies
both of my flies

I can't forget the feeling
the feeling of hooking a great fish
the feeling of the line snapping
snapping under the fish's strength
tearing the tippet
the heavy 4x tippet

I can't forget the satisfaction
the satisfaction of the jerk
the fish pulling my fly rod
the curt but amazing jerk
the satisfying feeling
of hooking a monster fish

Smart, sensitive, funny, strong, loving, so good at so many things, becoming himself moment by moment, a boy, a man, almost there. I used to think having a girl would be the end-all be-all. Then I met Henry.
- Janet

Wednesday, July 29, 2009

To be Alive


Merce Cunningham, the greatest living choreographer in the world, just died, age 90.
When he was 80 he danced a duet with Mikhail Baryshnikov. When he could no longer move his arthritic feet he would make up dances in his head. And so eloquently he said this about dance: 'You have to love dancing to stick to it. It gives you nothing back, no manuscript to store away, no paintings to show on walls and maybe hang in museums, no poems to be printed and sold, nothing but that single fleeting moment when you feel alive.' I think of Charlotte when I think of him.